Learning Character Art - The Importance of Setting Achievable Goals by Julie Beliveau a year ago 5 min read I began focusing on my goals of working in the Game Industry back in August 2018 when I enrolled in the Game Art Institute’s Character Artist Bootcamp. This was the greatest thing I could have done for myself because I learned so much and developed a new understanding and passion for 3d and real time.Recently I wrote a breakdown for 80lvl on my character Onneisha. It can be found here: “Crafting a Real Time Elf Character in ZBrush”For this blog post I’d like to talk about getting the project to the finish line. While constructing Onneisha I had made many mistakes, and as a result I had learned many things. Some of the more important lessons weren't how to solve technical issues. But, overcoming personal misconceptions to achieve the goal of finishing.Don’t reinvent the wheel, but don’t be afraid to experimentThere is no right or wrong way to craft something in 3d. However, there are more efficient ways to make your life easier. I had struggled with this notion because I was always concerned about producing something ‘the wrong way’. What helped me overcome this mindset was getting to know other 3d artists and talking with them about their methods when it comes to crafting in 3d.I had discovered that not everyone follows a strict regimen. What remains mostly the same is the pipeline with minor adjustments depending on the software you’ll use in production. View this post on Instagram Every #sculpt #model starts out in a potato phase... here’s some of my construction work for the high poly of a new #character I’m doing in the #gameartinstitute #characterartist #bootcamp all the #armor is constructed initially in #3dsmax and then taken to #zbrush for some of the more unique details, like armor patterns. #3d #3dart #charactermodeling #art #3dmodeling #fantasy #fantasycharacter #characterart #onneisha #kingsoftherealm #elf #femalewarrior #warrior #warrioress A post shared by Julie Beliveau (@julie_beliveau) on Oct 1, 2018 at 12:50pm PDT A view of my construction mesh for Onneisha in 3ds Max.As you can see I didn't bother with putting the 'bumpy' details of the leather inside of ZBrush. I relied heavily on Substance Painter here. Using Substance Painter for these sorts of details allows me to change things up on the fly rather having to go back, re-sculpt and re-bake. The caveat is that the high poly sculpt wont have as a detailed render as the final model.Anything that had a higher surface than the base mesh was sculpted in, like the rounded puffy details around the buckles, the shin guard and even the boot wrinkles/folds.Set Goals For Yourself With Each ProjectGoing into Onneisha I knew I wanted to create a high quality character, but that goal is so broad and vague. It needed to be broken down into smaller goals to reach the finish line. So for each project I write a list for myself and give myself a measurement tool. By setting these goals, I give myself little victories along the way.Example:Learn Xgen for Real Time Hair. Generation, Placement. | Measurement: Achieve the level of Horizon Zero Dawn or Final Fantasy Hair.Painting believable skin in Substance Painter. | Measurement: Achieve the level of Magdalena Dadela or close enough.Aesthetically Pleasing Presentation. | Measurement: Pose to follow original concept art with lighting akin to Horizon Zero Dawn or Final Fantasy.I should note that in a way I am comparing myself to artists of a high level. Although, I’m not comparing myself in a negative light, but using these comparisons as a set goal. I want my hair, skin and presentation to have the same sort of quality that these artists produce. I guess you could say that I use these comparisons as inspiration as well.It's Okay to Post ProcessFor a long time I used to be afraid of post processing. My thought process behind this was, “Well, if I can’t achieve that quality in my renders and lighting alone, then what good am I?”After talking with a few artists I found that post processing is actually the icing on the cake. Henning Sanden and Morten Jaeger from FlippedNormals discuss post processing in a couple of their videos.Getting Your Dream Job in Games or AnimationAdobe Photoshop Tutorial - Improving your 3d renders in PhotoshopAdjusting your levels, slight color balances, and contrast are all acceptable touches to your final stills. Photoshopping a ton of errors out of your work or photoshopping someones hair into your final still is deception.Post in Marmoset done via the camera's I set up. I adjust the curves and exposure here. Post continued into Photoshop where I adjust the levels a tiny bit.The Final ResultThe Finish LineThe important thing to take away from all this is to finish what you start. If your primary goal is to get a job in games look at what industry artists have in their portfolio and take notes. You may not achieve their level right away. But, reaching your measurable goals with each project you’ll start to see your level up in no time. It is good to develop a sense of perseverance as well, as there will always be obstacles. Experiment with different methods, see what works for you. Set goals for yourself with each project. It is okay to Post Process your work. Finish no matter what. Thanks for reading my article. I live in Fort Lauderdale, Florida and I'm currently looking for opportunities in the Game Industry as a Character Artist. Please reach out to me if you have any opportunities. Share your thoughts on this post Read more posts by this author Julie Beliveau 3d Character & Prop Artist - Looking for Opportunities. Cooking. Stories. Music. Under the firm impression that wasps are out to get me. The link has been copied!