Tarek Abdellatif, a 3D Game Environment / Prop Artist working remotely at Upsurge Studios in Australia, shares his process for creating an interior 3D environment using Unreal Engine.

Gabriele Martinacci, a Hard-Surface Modeler based in Italy, impressed us with his recreation of a Curtiss-Wright R-2600 Twin Cyclone Engine in 3D and we asked him to share the details with us in this article.

Inspired by the casting news of Rosario Dawson as Ahsoka Tano in the Mandalorian, Abhirup Mozumdar, a 3D Artist at MPC, shows us how to Highpoly Sculpt and Polypaint Texture iconic characters.

3D Game Environment Art Student Rana Hanbazazah, was tasked with creating a hero game-ready prop from scratch during her intermediate term at Think Tank. In this article she shares the story and concept behind her piece, and her process of modeling and texturing this incredibly detailed asset.

Learn how to create and render a stylised 3D Environment in Unreal Engine, with Matéo Chilla.

If you are looking for inspiration for your next prop, in this article, 3D Artist Giovanni Ferrari shares a breakdown of his intricate game ready guitar.

Federico Cusinato started his career in graphic design and photography, but then discovered the world of CG. He now creates compelling 3D Art and in particular, photorealistic interior scenes.

Learn how to paint and lookdev a detailed spaceship asset using Mari, with Gal Ravid-Tal, an IAC-(The Israeli Animation College) alumnus and 3D generalist at YASHINSKI Visual Effects Studio.

In this article, Xgen enthusiast, Kapil Rawat, shares his learnings as he experiments with 3D fur for iconic cartoon characters. If you are a fan of Pokémon and you are curious about how to create a groom for your own characters, this article is for you!

Ana Barrós Calvete, an Architect and 3D Artist from A Coruña, Spain, aims to inspire other 3D Artists who would like to challenge themselves by creating intricate environments and visualisations in 3D.

In this article, Nick Rutten discusses his technical and directorial approach to creating a sylised VR film.

Want to achieve realistic skin details for your 3D Portraits? Parth Shah, a Modeling TD at Double Negative, explains how to achieve realistic skin details using manual sculpting techniques in Zbrush.

Thomas Eckstein, a Lighting/LookDev Artist at TRIXTER, shares his breakdown of how to create a stylised futuristic cityscape by pushing the boundaries of look development, lighting and compositing.

Aspiring to join the gaming industry, 3D Artist Kartikeya's focus has been to hone his existing skills and learn new ones, producing jaw-dropping models in between. This is a great article to read if you are wanting to learn how to make realistic game-ready props for your 3D Art portfolio.

Ivan Pechalin, a Lighting Artist and 3D Animation & VFX Student at PIXLVISN Media Arts Academy, takes us through the fundamental of lighting to create a stand-out lighting piece for your portfolio.

David Inlines, a VFX Arist at Gameloft and Rookie of The Year 2020 Runner Up in the 3D Motion Graphics category, gives us some insight into how to create an award-winning motion graphics piece for your 3D and FX portfolio.

If you are embarking on your first real-time character, this article is for you! Vanessa Mai takes us through her process of creating compelling real-time fantasy characters for games.

Romain Maistre-Bazin is a Vehicle Artist for Ubisoft Ivory Tower in Lyon, France. In this article he will show you his process of creating a realistic vehicle using Maya, Substance Painter and Unreal Engine 5.

Thomas Eckstein is a Lighting/LookDev Artist at TRIXTER. In this article he shares his tips to creating a photorealistic still life scene fit for your lighting and compositing portfolio.

Raphael Pfyffer, a 3D Modeler and Alumnus of Lucerne School of Art and Design, practices his craft by creating unbelievably realistic 3D characters. In this article Raphael shares with us how he created this digital portrait of Ellen Ripley, character and protagonist of the Alien film series.